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Different than the traditional mix CD using two turntables, this exclusive offering was created live using only one turntable, a mixer, a loop pedal and all original vinyl pressings. CUT thought when performing this mix live it would challenge the contemporary DJ as well as himself. The music chosen for this mix goes quite a bit deeper into the crate than his other contributions. Driven by his passion for Ethiopian, Colombian, Sudanese and Afro-Brazilian sounds, this mix also features a few classic tunes you might recognize. Sound Of The Police puts it all in context to help the listener remember that hip-hop culture is indeed rooted in Africa.
Originally, Sound Of The Police was only intended to be a one-time performance for Mochilla's “Timeless” concert series opening up for Ethiopia’s own Mulatu Astatke in 2009. He recorded the practice session and after the success of that performance he thought it deserved to be heard and seen by as many people as possible. The live performance attempts to be a reenactment of the CD, but with cameras on the turntable and loop pedal so the audience understands exactly how the records are being manipulated. “You don’t have to be into DJs to enjoy this show. It’s like walking a sonic tight rope and the audience gets to see me fall if something goes wrong," CUT says. "The interesting parts are when I mess up and fix it. The audience goes crazy and appreciates what a difficult balancing act this actually is."
from Sound of the Police,
track released July 27, 2010
Mastering by Dave Cooley at Elysian Masters (other mastering credits include Madlib's "Shades of Blue", J Dilla's "Donuts" and tracks from Peanut Butter Wolf)